
Ó¢ÎÄÆ¬Ãû£ºDonizetti – Lucia di Lammermoor
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Diana Damrau¡¯s reputation as the world¡¯s leading coloratura soprano has been built on her extraordinary technical virtuosity, her sensitive musicianship and her acute psychological insight. In Katie Mitchell¡¯s sometimes radical production of Lucia di Lammermoor from the Royal Opera House, she is, as the Financial Times wrote, ‘brilliantly convincing’. Award winning director Katie Mitchell took a revisionist approach to the drama, updating the action to the mid-19th century and applying a feminist slant as she added new and unexpected elements. Mitchell also made extensive use of a ¡®split screen¡¯ effect on the stage, counterpointing two different pieces of action at key moments.

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